This is a blog about building lutes and historical guitars. It is not only a "how to" blog but also a "why" blog. I have always enjoyed thinking about lutes and guitars as much as building them. I also enjoy the music associated with the instruments I build as well as the inspiration I gain from visits to museums to examine them.
Tuesday, December 19, 2017
December Update - Theorbos, Archlutes and Guitars
My workshop has gotten crowded. In the foreground is a Tecchler archlute that is just about finished. In the back left is a Buchenberg bowl that is coming along. The baroque guitar is in for a bit of glue and the Schelle theorbo is having its neck finish redone.
I finished the archlute with French Polish that I have been allowing to harden for few weeks.
In the meantime I decided to start a new theorbo as a special project. It is based on Matteo Buchenberg (Victoria & Albert , London). The string lengths will be 90 and 170 cm.
I built this Voboam model baroque guitar ten years ago and you can see it gets a lot of work. Occasionally, it comes in for a little glue and I am always happy to see it. This time it has a loose bar and an open back seam.
The extension of the historic Schelle theorbo is painted black and at the request of my client I painted the fretted neck as well. I have used this method before, but not for ten years or more. Since then paint products have changed and my favorite is no longer available. I wasn't happy with the substitute so I am re-finishing it with black shellac using the French polishing method. You can see the results of this method on my newest Voboam in my post from 9/11/17.
I have some catching up to do with my posts. Hopefully I'll finish my report on the Josef Pagés guitar soon and the Tecchler archlute deserves a detailed description too.
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